The XaoS fractal zoomer allows us to construct Mandelbrot Sets including z-magnitude colored images of bounded series inside the set, as well as with exterior diverging series of

z_n+1 = (z_n)² + c,

where c = x + iy picks the point (x,y) under test, which we examine after N steps for some suitable N. The Mandelbrot Set itself is the set of all points c associated with this series when it is bounded. If all such points are colored black, that is the Mandelbrot Set of points as originally computed by Mandelbrot in 1979. Images associated with unbounded, diverging series are associated with broken-up Julia sets of points {z_n} sometimes termed Fatou dust. Julia sets inside the set are connected. Zones associated with bounded series at c = x + iy were blackened out in primitive representations of the Mandelbrot Set, so that Fractal Knockers were invisible. Now we find fractal breasts and bottoms with phallus-like structures in the formerly blacked-out zones that fill in mythic detail that was missing. This is done by coloring these bounded interior zones according to the magnitude of the series terms z_n after N iterations. The Xaos zmag in-coloring achieves this, and displays mythically congruent forms that were missing when zones of bounded-series points inside the set were colored in black and exterior unbounded diverging-series point zones were colored in accordance with the magnitude of the series after N iterations for some N, reflecting the rate of divergence. |Z|-colored points on the bounded and converging side of the series interior to the Mandelbot Set were sometimes associated with breasts, bottoms, and dongs in zones along the boundary of the set that were formerly blacked out as if by a prudish censor!
The Fractal Knockers shown here are taken from the waistline of the Mandelbrot set, and feature both voluptuous breasts and bottoms sheltering golden phallus structures. On the other hand, if bottom hairs are taken out of the bottom-crack of the Mandelbrot set, and the formerly blackened nodes of these bounded-point bottom-hairs analyzed with ZaoS z-magnitude "in-coloring" we find ratchet bottoms pinned on golden prongs. Thus the mythic image associated with the Mandelbrot Set itself, resembling a beautiful bottom with Buddha-ball handles on the sides and topped with a Buddha-ball torso and a Buddha-spire hat, is associated with mythically congruent images in interior nodes along its boundary, somewhat like the constellations are sub-illustrated by imaging nebulae that feature thematically cohesive elements associated with the constellation in which they are imbedded. This may be due to chaotic processes in galactic gas and stardust associated with image formation somewhat as in the case of the deterministic chaos associated with the fractal images of the Mandelbrot Set.
In this particular image, the "waist" of the Mandelbrot Set seems to be associated with the "waste" of computing spent on inspecting Internet erotic hots. We seem to see seahorse-men inspecting computer screens appearing in the form of integral signs or seahorse-man tails, suggestive of what it all adds up to, as if we were looking into a strange mirror of ourselves sitting around our computers inspecting sex shows on our terminal screens and sometimes glancing at our rumps. The integral addition being inspected by the Mandelbrot Set seahorse-men seems to mirror inspection of a phallus counting between fractal knockers or between fractal bottom cheeks, as if we were all being mirrored as inspecting Internet erotic arts projects. However, I note we also have "thorn conferences" in the boundary of the Mandelbrot Set around the neck of the set above its sexy narrow waist, where the bearded seahorse-men are found. Butt-chickens, pheasants, and profile turkeys are found in the atoms or buds of the bottom-crack of the set. The primal nature of the images associated with a simple algorithm in the complex plane to produce a series of bounded or diverging points is astonishing and evidently connected in kind with chaotic processes occurring in the hydrodynamic turbulence of galactic dust and gas constrained by the force of gravity in mythically imaging galaxies and nebulae framed in the image of the constellations covering the celestial sphere. I note that a similar process may be associated with the images covering Mars, the Moon, Miranda, and Oberon, among other worlds featuring mythic imaging on their surfaces.