As I worked on these notes, the computer sent me a print of Ashlee Simpson, hawking Ashlee Simpson wallpaper.

The eye of the observing mermaid horse in Montana is bounded by Laurel, Billings, and Hardin, and shows tits at Casper, Wyoming. The lips of the horse with a wig approach "Belen", New Mexico. The wig of the horse is seized near Hope, Texarkana, and De Queen, Arkansas. One horn of the gargoyle runs up to Chippewa Falls and Euclaire in Wisconsin. The tits of the horse with the wig seem to terminate at Sinaloa, Mexico. The pecker of the gargoyle comes down through Holly Springs, Mississippi, and is rooted at Ripley and Jackson, Tennessee. The grin of the gargoyle runs through Beatrice, Nebraska to the Iowa-Missouri-Nebraska tri-state junction. The eyeball of the gargoyle is centered on Omaha. One corner of the horse's wig seems to curl up around Conroe, Texas, not far from Houston. There is a mirror of this action spun off around St. James Bay.
AUDIO: Fun, Fun, Fun by The Beach Boys.

In this photo we find the Adam's apple of the horse replaced by a rump which turns out to also be the brim of a Mexican sombrero. These image-within-an-image effects often remind us scenes from Salvador Dali, such as The Disappearing Bust of Voltaire from Slave Market with the Disappearing Bust of Voltaire. Furthermore, the act of creating Cloud Visions reminds me somewhat of Dali's An Average Atmospherocephalic Bureaucrat in the Act of Milking a Cranial Harp, where the frequent visionary emphasis on the libido as a theme is suggestive of Dali's Meditation on the Harp.
I note that this is a "24" image theme consistent with the symbolic numerology of the number of the vision. We have been experiencing this sort of symbolic resonance on and off since lost WeatherVisions7, (also shown in Mao Say Green) in which a ghostly "007" gun materializes in a giant right hand over California on November 10, 2002.

Don't miss my forthcoming book on Advances in Remote Sensing by James A. Green, from Greenwood Research.